Known for her dry wit, dark humor, and insightful social commentary, Sharon Horgan has become the creative force behind some of the best female-driven comedies of the past two decades. Born in Hackney in 1970, she made her breakthrough with the critically acclaimed BBC series Pulling, a sitcom following three women in their 30s leading unapologetically messy lives in East London.

In 2015, Horgan collaborated with American comedian Rob Delaney on Channel 4’s wildly successful Catastrophe, a slice-of-life sex dramedy that dissected the complexities of modern relationships. Since 2022, she’s served as star and showrunner of the Apple TV+ hit Bad Sisters, a black comedy thriller centering five close-knit siblings which swept last year’s IFTA and BAFTA circuit.

Sharing her top 10 desert island books with NY-based bookstore One Grand, Horgan recommended an eclectic mix of horror, true crime, romance and comedy. From Rosemary’s Baby to Carrie Fisher’s satirical semi-autobiography, check out her reading list below, and complement with the bookshelves of other acclaimed actors, comedians and writers.

Sharon Horgan’s Reading List


Rosemary’s Baby by Ira Levin

“The first novel that messed me up. I’ve read it so many times—first in my late teens, when I was in my full horror fan mode. In Ireland, where I lived, there was no such thing as a streetlight, so you looked outside and your own imagination would decide what was there. But there was something about the descriptions of the Bramford, the apartment that Rosemary and Guy Woodhouse move into, that was my first descriptive explanation of New York living. Way before I saw the movie, the story leapt off the page.” -SH

Helter Skelter by Vincent Bugliosi with Curt Gentry

“Unfortunately, it went from horror to true crime, kicked off by Helter Skelter, the very famous book about the Manson murders. I got into true crime way too young, way too early.” -SH

The Sun Also Rises by Ernest Hemingway (also rec’d by Margot Robbie & St. Vincent)

“A book I read at least once a year. I took American studies as part of my degree, and found Hemingway a little late, but The Sun Also Rises is the ultimate of the modernist school. I’m not sure why I read it so often, but much has to do with the huge love affair at the heart of it—and the setting, between the wars, within the world of this lost generation of expats. It just completely transports me from wherever I am to Paris and Pamplona. And his writing has such hidden depths—every time I read it I find something new. It takes a lost soul to convey so much.” -SH

Off the Road by Carolyn Cassady

“Carolyn Cassady was the wife of Neal Cassady who is the hero in Kerouac’s On the Road. She was his wife, but also an artist and art teacher, and she was linked to this absolute lunatic of a man who was her Achilles heel. He regularly betrayed her, but you love who you love. She had a love affair with Kerouac as well—weirdly because Neal Cassady suggested it. She was an incredibly gifted writer, but she was managing these crazy men in her life and bringing up her children and I guess she didn’t see herself in that way. But she wrote with so much intuition and insight, and a lot of beauty as well.” -SH

Dubliners by James Joyce (also rec’d by Carson McCullers, Cheryl StrayedErnest HemingwayHozierJim Morrison & Leonard Cohen)

“As a young student living in Dublin, I always thought it vaguely pretentious that I should be reading Joyce. But I couldn’t even begin to start with Ulysses, and then I discovered Dubliners, and thought, this is perfect, this is my kind of thing: An evocative but simple style of writing. I was so delighted for myself: ‘I’ve read Joyce, I can tick that off my list of smart things I should be doing.’ It was just such a surprise to find it accessible.” -SH

Selected Poems 1966-1987 by Seamus Heaney

“There’s a poem of Heaney’s that describes a couple peeling potatoes together while everyone’s at Mass. Such a mundane task, but that image of a couple at their closest while they peel potatoes—oh my god, it fucked me up. It’s such an intimate thing. How Heaney can dissolve you into tears without being sentimental is an extraordinary thing.” -SH

Postcards From The Edge by Carrie Fisher (also rec’d by Jennette McCurdy)

“Carrie was nominated for an Emmy posthumously, and I was asked to accept it on her behalf if she won. So, I reread Postcards from the Edge, and it’s such a joy. It’s written in letter form and includes a poem she wrote to her grandmother. There’s such incredible lyricism to her writing, which was not as simple as just documenting her own personal story. I don’t know how she coped with a brain working at warp speed; that she got a good chunk of it down was a relief for her, I’m sure.” -SH

The Rules Do Not Apply by Ariel Levy

“This destroyed me. It’s about examining the choices in Levy’s life that lead her to a particular event documented in the book, but at the same time the book has a lot of joy in it. Many of the female writers that I admire at the moment have that same stripped back, modernist style—a kind of reportage. It’s also liberating to write about something that awful in such bare, stark terms.” -SH

Everything I Know About Love by Dolly Alderton (also rec’d by Anya Taylor-Joy)

“Alderton has been writing for UK newspapers and magazines for years, and then she wrote this book about love, but not necessarily about finding the love of a man. There’s a very deep female friendship at the heart of it. As a writer myself, anytime I write something that feels painful to tell, and you don’t know how people will respond to it, you’re laying yourself open to be criticized—as a woman especially, when you’re writing about people you’ve slept with and the bad choices you’ve made again and again. As soon as I read it, I got in touch with Alderton. I said ‘Please, please let me buy the rights to this book and let me make it,’ but someone had got there before me. It’s about not giving up, and not losing sight of the thing you’re after just because life has fucked you a few times along the way.” -SH

The Girl Who Ran by Christina Yee and Frances Poletti

“Francis Poletti writes books for children, but her stories are for everyone. They’re stories about women in history who were the first to achieve something, and what they had to battle against at that time, and how they preserved and pushed through and ended up achieving their dreams. The Girl Who Ran is about a young heroine who is told that women can’t run, that running is against the rules, but she does it anyway.” -SH

(via One Grand Books; photo by Lauren Maccabee)


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